摘要
相对于1980年代诗歌的"宏大叙事",1990年代的诗歌则是"边缘叙事"。"边缘叙事"与1990年代特定语境中诗人及诗歌的不断边缘化有关。它带来的最直接结果就是诗歌的"向内转"及对"当下性"的强调。"边缘叙事"的策略效应呈现为三个放逐:对抒情性的放逐,对主流叙事话语的放逐,对精美语言的放逐。
While the narrative strategy of poetry in 1980s was "grand narrative", the narrative strategy of poetry in 1990s was "marginalization of narrative". The "marginalization of narrative" strategy was related to the continuing marginalization of poets and themes of poetry in certain context in 1990s. And the direct results that these phenomena bring about were the "trend of returning to poetry itself' and the emphasis on "modernity". The strategic effects of "marginalization of narrative" are reflected as three abandonment: abandonment of lyricism, of mainstream narrative discourse and abandonment of exquisite language.
出处
《温州大学学报(社会科学版)》
2010年第1期66-70,共5页
Journal of Wenzhou University:Social Science Edition
关键词
诗歌
1990年代
边缘叙事
Poetry
1990s
Marginalization of Narrative