从《杜隐园日记》看清代光、宣年间温州戏曲演出之盛

Study on Prosperity of Traditional Opera Performances in Wenzhou during the Period of Emperor Guangxu’s and Xuantong’s Reign of the Qing Dynasty from Duyinyuan’s Diary

清代光、宣年间,清朝政府的统治已经到了穷途末路,国家处于风雨飘摇之中,但戏曲的发展却表现得异常繁盛,颇有"隔江犹唱后庭花"的末世味道。光、宣年间温州地方演剧之盛在张的《杜隐园日记》中得到了全面的反映,其重要表征为演出时间的日常化、演出戏台的多样化和演出戏班的多地化。

From Emperor Guangxu＇s to Xuantong＇s reign in the Qing Dynasty, while the Qing Dynasty reached the end of its tether and the country was in unstable stage, the development of traditional opera in Wenzhou was extraordinarily flourishing, which was similar to the touch of the famous words： Still live a gay life after one＇s country is lost. In Zhang Gang＇s Duyinyuan Diary, the prosperity of traditional opera performances in Wenzhou during this period was completely reflected. The main features of that time＇s traditional opera performances in Wenzhou were regularization of performances arrangement, diversification of performances places and multi-sources of theatrical troupes.