诗乐融合视野下的现代新诗与歌词——以艾青的创作为例

Modern Poems and Lyrics in the Perspective of Poetry-Music Fusion: Taking Ai Qing's Poetry as Example

艾青是极少数把"诗"与"歌"区分开的现代诗人之一。诗更通画,强调意象的新异,歌词更通乐,强调语言的流畅动听。诗可以有更多的内心独白,歌词却需要更多地面对听众,使倾诉与倾听同步共鸣。歌词是需要包含诗意,又富有乐感的双重愉悦。一首好的歌词应该是带有音乐特色的文学美和闪耀文学光彩的音乐美,集文学美与音乐美于一身。艾青创作的歌词尽力做到表达意旨的准确性、抒情状物的生动性、造成形象的鲜明性、搏动情绪的感染性、节奏旋律的和谐性。现代歌词以其通俗性与大众化特征影响着中国的新诗,乃至20世纪文学革新的思想理念与艺术取向。

Ai former, he claims, Qing is one of the few modem Chinese poets who distinguish＂ poetry＂ from ＂lyric＂. The is much like painting, as it highlights novel images, whereas the latter is closer to music as it stresses fluent and fine-sounding expressions; the former allows more interior monologues, whereas the latter demands more dialogues and interactions with the audience. In this sense, lyrics involve not only poetic images but also musical enjoyments, and a good lyrical work must be a perfect integration of the beauty of literature and that of music. Ai Qing＇s lyrics are typical examples of this, characterized by accuracy in intention, vividness in depiction, liveliness in imagery, impressiveness in emotion, and harmony in rhythms and melodies. These modem lyrics, boasting their popularity, have exerted great influences on modem Chinese poetry, and even on the ideological concepts and artistic orientations of literary innovations in China throughout the 20th century.