摘要
在明嘉靖之前,吴门曲坛声腔纷繁林立,吴门本地的声腔也衍生出昆山、无锡、苏州三大支流。魏良辅对南曲声腔进行了十年"立昆之宗"的改革,最终造成了一个新剧种——昆剧的正宗音乐而流传至今,这个剧种音乐,古人呼为"新声",今人称为"昆曲"。"立昆之宗"的成功决不是偶然的,这不仅是魏良辅个人的丰功伟绩,更是明嘉靖吴中声腔人才群落共同创造的硕果。
Before the Jiajing period of the Ming dynasty, various tones exist in Wu school and the local Wu tone develops the three branches of Kunshan, Wuxi and Suzhou. WEI Liang - fu has 10 - year reform on the tones of Nanqu and eventually creates a new dramatic form - the orthodox Kunqu music is kept until today, which is called "new music" in the past and " Kunqu" at present. WEI Liang - fu's success as the " Ancestor of Kunqu opera" is not accidental; it is not only his own achievements, but also the results of Wuzhong tone-personnel's cooperation.
出处
《艺术百家》
CSSCI
北大核心
2010年第1期147-149,90,共4页
Hundred Schools In Arts
基金
全国艺术科学"十五"规划2005年度文化部重点课题"昆曲学"(项目编号:98BGA06)阶段性成果之一
关键词
戏曲艺术
群落
昆曲
新声
立昆之宗
三支共派
art of the Xiqu opera
group
new music
ancestor of Kunqu opera
three branches sharing one school