摘要
《清水里的刀子》这篇小说通过叙写搭救亡人之前要宰牲的传统民间习俗,以及大牲能看到清水里的刀子的民间传说,使小说具有了丰厚的文化含量与审美意蕴,形成艺术上无穷尽的审美张力。这种艺术效果的取得,主要决定于民间文化资源作为一种他者的"陌生性"。
In the Novel Kn/fe in Clean Water, the author depicted a folk legend by narrating such a folk custom as sacrifice so as to rescue the dead, making the novel strongly culture-loaded and have big esthetic value. Therefore this novel had endless esthetic value artistically. The achievement of this artistic effect mainly depended on the "strangeness" of" the others" of folk cultural resources.
出处
《北方民族大学学报(哲学社会科学版)》
CSSCI
2010年第1期94-97,共4页
Journal of North Minzu University(Philosophy and Social Science)
基金
北方民族大学科研项目"当代中国回族文学的审美嬗变历程"(2007Y006)
关键词
民间资源
陌生化
石舒清
回族文学
folk resources
strangeness
Shi Shu-qing
literature of the Hui ethnic group