摘要
现代诗派的"诗坛首领"戴望舒以他的创作实践以及他的诗歌理论,极大的丰富和发展了新诗的发展历程,从某种程度上来说,他的诗歌创作和译诗活动是同步一致进行的。戴望舒对法国后期象征派果尔蒙、保尔.福尔、耶麦等人的喜爱,使他自觉地向他们靠拢,在艺术上吸收了很多西方后期象征派的手法,积极的影响了《望舒草》的创作,使《望舒草》成为戴望舒诗歌创作生涯里的一个极富代表性的诗歌集。
As a leader of contemporary poem, Dai Wang-su greatly promoted and brought new contents to the development of new-style poems with his literary creation and poetic theories. To some extent, we could say that his poetic creation keeps pace with his poem translation. His fondness for such later symbolistic poets as Gemy de Gourmont, Paul Fort and Jermain helps him master the later symbolistic creation arts in the west which had exerted a positive impact on the creation of Wangshu Cao and makes it the most typical poem anthology among Dai Wang-shu' poem writing.
出处
《昭通师范高等专科学校学报》
2010年第1期48-50,共3页
Journal of Zhaotong Teacher's College