摘要
新时期以来,作为戏曲创作成绩卓著的福建省,在现代化问题的探索方面也站在了时代的前锋。在总结福建新时期戏曲创作得失的基础上进行理论探索,并结合时代特点提出有针对性的问题。至上世纪末的20年间,福建戏曲界对现代化问题的理论思考主要集中在三个方面:戏曲创作必须具有当代意识;戏曲艺术形式应该法古开新;戏曲现代戏需要"戏曲化",其探索与不足为福建乃至全国戏曲的发展提供了宝贵的经验和有益的启示。
Since the new period, Fujian Province has made great achievements in its opera creation, and has taken the lead in its opera modernization explorations. The paper gives a theoretical analysis of the gains and losses in Fujian opera creation and, by considering the characteristics of the era then, raises some related issues. During the 20 years before the end of the 20th century, Fujian opera cirele explored the modernization of its opera in the following three main aspects : opera creation should reflect modem ideas; opera artistic forms ought to be traditional and innovative; modem opera needs "to be dramatized". All this gives precious experience and enlightenment for the development of Fujian opera and other operas in China.
出处
《集美大学学报(哲学社会科学版)》
2010年第1期11-15,共5页
Journal of Jimei University:Philosophy and Social Sciences
关键词
新时期
福建戏曲
现代化
the new period
Fujian opera
modernization