哲学辨证观念在奏鸣曲式发展中的体现

On the Conception of Philosophical Dialectic Embodiment in Developing of Sonata Form

奏鸣曲式是音乐在单乐章结构范围内最高级别的音乐组织形式,是复杂的复合型曲式形式的代表。笔者运用哲学辨证法的原理分析了奏鸣曲式的结构部件,运用本体分析的方式沿着奏鸣曲式从萌芽到成熟时期的代表作品进行了实证研究。文章认为,奏鸣曲式的科学本质就是哲学辩证法原理在音乐写作中的贯彻运用,因此奏鸣曲式能够表现重大的社会主题,能够表现事物发展的阶段性过程。

The sonata form is the most imortant principle of musical form,or formal type. Study of the sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form. The writer analysed the structural parts of sonata form with the principle of philosophical dialectic,and did the empirical studyes of the sonata forms in musical compositions with the ontological analysis from its stage of rudiment to the mature one. The papers held the opinions that the nature of science for sonata form would be using the principle of philosophical dialectic in the music writing,and the sonata form has thus been used to represent the significant themes, and the staged strategy on process of development as well. Empirical studyes of musical