有周吉、嘉、宾、军四礼演奏《诗经》乐章考论

Argumentieren on Performing Movements of Shi Jing(Classic of Poetry)

原本作为诗、乐、舞融合体的《诗经》乐章,是西周历代乐官们奉命为各种礼仪搜集、整理、制作,或直接出于贵族士大夫之手的雅乐最基本的文化载体。周代统治者出于维护、巩固和扩张政权的需要,势必要把《诗经》乐章极端地政治化、伦理化,使其负担起推行和实施礼制的使命,置实用性于首位。综观《诗经》乐章在有周五礼之吉、宾、军、嘉四礼中的演奏,我们会更清楚地认识这一点。

That the movement of Shi Jing （Classic of Poetry） original a collection of poetry,music and dance was a basic cultural carrier of Yayue （ceremonial classic music） that collected, reorganized and produced by the musical officials in each dynasties in the Western Zhou Dynasty （c. 11^th-771 B. C. ）. According to the needs of maintaining, strengthening and distending the regime, the rulers of Zhou Dynasty mast make the movement of Shi Jing extremely politicalization and moralizing to step up its responsibilities for practicing and implement of system of Rites. General view on the movement of Shi Jing, performance of four rites of ji,bin, jun,and jia,it is very clear to learn that the system of Rites being the utility at first of all in Zhou Dynasty.