摘要
皖籍现代女作家方令孺的散文创作在解放前后呈现出迥然不同的两种风格,创作风格的差异性显示了方令孺在时代生活中从个人走向集体、从边缘走向中心的现代知识分子形象的转变。自80年代以来海内外出版界发行了三种版本的方令孺散文集,文集的不同版本体现了社会历史语境和文艺时空对于文本价值功能的要求和规范,以及对于创作者角色身份的价值期待。
Fang Lingru, an Anhui authoress, whose prose styles are very different before and after liberation. The difference shows transition of her intellectual status from individual to collective, and from non-mainstream to mainstream. Three different versions of her collected works have been issued at home and abroad since the 1980s, which reflects different social requirements and art criterion of her works' value function together with the different expectations about the authoress.
出处
《合肥学院学报(社会科学版)》
2010年第1期61-65,共5页
Journal of Hefei University:Social Sciences
基金
2009年度安徽省高等学校优秀青年人才基金项目"‘皖籍’新月才女方令孺研究"(SQRS133)阶段性成果
关键词
方令孺
新月派
散文
版本
Fang Lingru
Xin-yue group
essay
version