动物化·生与死·符号化——解读《生死场》中人物的生存状态

Animalization·Life and Death·Symbolization——Analysis of the People's Living State in ShengSiChang

萧红的《生死场》中写出了一群人在乡村中动物式的无意识生活,他们身上体现更多的是动物的"本我"生存,被本能的欲望和需求所驱使,无论是亲人还是夫妻之间,他们都在人的文明之外呈现非人的状态。作品中的人物生命意识很淡漠,于是作者尽力地用死去唤醒活着的人,妄图给他们还原一个"人"的称谓,但最终却将生写成了死,让生命在死亡紧紧的跟随中遗失。作为经历了太多坎坷的女性,萧红看到女人的平面存在是因为男人首先将女人当成工具当成符号来对待,于是她将男人也最终符号化,抹平了男女之间的性别差异。而生命也因为生的缺失和死的绝对存在变成了一种符号,最终人也变成了符号。

There are a group of people who live a creatural and unconscious life in the country in Sheng Si Chang by Xiao Hong. The people incarnate more nature of animals, who are impelled by instinctive lust. No matter what family and couple, they live out of civilization of human being and take on inhuman state. The people＇s consciousness of life in the works is very apathetic. And the author does her best to awake the persons with dead and wants to restore the title of human to them. However, life turns to dead at last, and life is lost, followed by death. Xiao Hong suffers a lot of hardship, so she knows the reason why women＇s life is eomplanated is that men regard women as tool and sign at first. And then she gets man to sign, and effaces the sexual difference between man and woman. Life becomes sign because of the lack of life and existence of death, and human finally becomes sign, too.