摘要
在内蒙古科尔沁蒙古族和凉山州金阳彝族地区,原始宗教仪式音乐文化显现得较为突出。其中勃额的附体仪式及毕摩的仪式都有着规定性,并且仍保留着原始宗教的仪式特征。本文在两个不同文化圈(蒙古高原蒙古萨满文化与藏彝文化圈)所进行的田野工作的基础上,从音乐人类学的跨文化比较视角对两个民族的原始宗教仪式音乐文化进行了阐释。
In the area of Khorehin, Inner Mongolia, where the Mongolians belong, and in Jinyang, Liangshan Prefecture, Sichuan Province, where the Yi ethnic live, there are prominent primitive religious ritual music culture. The spirit-possess-believer ritual of Bo ' e and that of Bimo are both stipulative and both keep the characteristics of primitive religious ritual. According to some basic field work by two different cultural circles, the circle of Shaman Culture in Mongolia and the circle of Tibetan-Yi Culture, this article interpretes the music euhures of primitive religious rituals of the two nationalities from the perspective of crosseuhural comparision of ethnomusicology.
出处
《贵州大学学报(艺术版)》
2009年第4期24-27,共4页
Journal of Guizhou University Art Edition
基金
山师范学院青年教师科研项目资助(项目编号:so609)
关键词
原始宗教
仪式
勃额
毕摩
文化角色
primitive religion
ritual
Bo ' e
Bimo
cultural role