重新审视“达隆”唐卡的历史和渊源

The "Taklung" Thankas:Their History and Provenance Reconsidered

20世纪八十至九十年代,"达隆"唐卡流落于西方收藏家手中。其中大部分唐卡是达隆的前三任住持法台和第三任住持的侄子温波.仁波切的画像。这组画像和达隆寺有关系的说法似乎是合乎逻辑的。本文将重新审视这些画像的历史和文化背景,通过重点讨论下列片段:历史观中的达隆寺、温波离开达隆寺之前以及离开达隆寺之后的"达隆"唐卡,来揭示"达隆"唐卡真正的出处及历史。

In the 1980s and 1990s, Taklung thankas were dispersed among Western collections. The vast majority of them are portraits of the first three Taklung abbots and of the third abbots＇ s nephew Onpo Riwoche. It seemed logical to associate this corpus with Taklung Monastery. This paper will reexamine the historical and cultural context in which these paintings were made ~ focusing on the following passages , the history of Taklung Monastery , paintings among the ＂Taklung＂ Thankas that predate and postdate Onpo＇ s departure from Taklung and discover the real history and provenance of ＂Taklung＂ Thankas.