摘要
北宋郭熙承袭李成画风,以寒林树石为主题,以笔触曲折硬挺为特色。所画松树多虬曲、松针细小如攒针,用笔精道,为世人所称道。《早春图》可谓是他得意之作。作者以富有层次的墨色和柔和的卷云皴塑造了严冬过后,万物复苏、暮霭蒸腾的自然景象。这幅画作历来为画家所喜爱,文章拟将对此幅经典画作进行解析,探求其间的隐性画理,试图给我们学习中国传统山水打开一扇清晰明了的窗口。
Guo Xi, a member of academy of painting of North Song Dynasty, formed his painting style by the influence of Li Cheng' works, and always chose the woods covered with snow, trees and stone as his works' theme which are characterized by the flexural and endurable brushstroke. Most of the pines he drew are adored by people for the twisted branches and exiguous pine needle came out from his talent painting skills. Early Spring is one of Guo Xi's most excellent works, he figured out the natural scene of all creatures that came along alive again and evening mist rose up around after the severe winter with hierarchical mass color and subdued Cirrus cracked. Early Spring is always appreciated by painters, and this paper tries to make a transparent method to learn more about Chinese traditional landscape paintings by analyzing this classical painting and searching for its invisible painting skills.
出处
《福建教育学院学报》
2009年第6期103-105,共3页
Journal of Fujian Institute of Education
关键词
气韵生动
卷云皴
三远法
lively spirit
Cirrus cracked
three-distant method