闽漆考

Fujian Lacquer Textual Research

对福建漆艺的探究,学者们多由清代切入。本文将从汉代"夹纻"谈起,详细探讨"脱胎"与"夹纻"的区别,"金漆"与"佛妆"的产生及它们词义的变迁历史,以及"福犀"与"印锦"的关系和"泥金"是"倭制"还是"古制"等诸多问题。

To explore Fujian Lacquer Art,the scholars often started it from Qing Dynasty,but the author talks about it from 'Ancient Bodiless Lacquer'in Han dynasty,then discussed many problems deeply such as the difference between 'Bodiless Lacquer'and 'Ancient Bodiless Lacquer',the production of'Ningpo Varnish'and'Buddha Decoration'and transition history of their meanings,the relationship between'Fuxi(a kind of lacquer engraving)'and 'Yinjin(a kind of succedaneum of lacquer engraving)',whether the 'Thin Sheet'is made in the way of'Japanese Produce'or'Traditional Produce'.