摘要
蛇郎故事作为中国流传广泛、数量丰富的民间故事,其基本形式有蛇始祖型与蛇郎和两姐妹型两种。尽管这两种形式情节很不相同,却都是建立在尊崇蛇的文化心态之上,而这一心态源于古越人的蛇图腾崇拜,历经千年未能磨灭。蛇郎故事在流传的过程中也发生了一定的变异:一方面是,随着时代的发展,蛇郎故事在不同地区、不同民族流传的过程中渲染了不同的地方色彩。另外,蛇郎和两姐妹故事同现实人生之间存在着对应关系,可以运用过渡性仪式来进一步探讨该型故事的深层文化内涵。
Snake-boy stories are popular Chinese folktales. There are two versions：the ancestor of snake and snake-boy and two sisters. Though the two stories are various in plot, they both reflect snake worship totem in ancient Yue culture. The story evolutes along historical development：there are local elements added in the story ;there are corresponding relation between snake-boy and two sisters story and reality. The deep cultural connotation is discussed by analysis on transitional ritual.
出处
《哈尔滨学院学报》
2010年第1期74-78,共5页
Journal of Harbin University
关键词
蛇郎故事
蛇图腾崇拜
变异性
过渡性仪式
snake-boy story
snake worship totem
variability
transitional ritual
