论清初学者对陶渊明诗风的接受——以王夫之、王士禛为例

The acceptance of Tao Yuan ming ′s poetry on wang fu zhi and wang shi zhen at the beginning of Qing Dynasty

陶渊明的接受研究进入清初这一特定时期,主要表现在两位具有代表性的学者王夫之、王士禛对其孜孜不倦的继承上。这与当时的政治气候、社会文化背景以及清初文人的审美追求是分不开的。本文主要从接受美学的视角入手,分别从诗学精神与艺术风格两个层面来阐述他们对陶渊明的接受,并试图从他们对陶诗诗风的接受中来更清楚地反观清初学者的诗学价值取向与标准。

Entering the Qing Dynasty, especially in the initial stage of that period, understanding and acceptance of Tao yuan ruing mainly focused on Wang fu zhi , Wang shi zhen＇s inheritance. This phenomenon had something to do with the political climate, social culture background and the people＇s view of aesthetics in Qing Dynasty. This article mainly use the perspective of Receptional Aesthetic and discuss their acceptance of Tao＇style from poetic spirit to art style. Moreover, it will discuss their poetics of values and Standards from their acceptance of Tao＇poetry.