元明之际吴中文人雅集方式与文人心态的变迁——以《听雨楼图卷》、《破窗风雨卷》为例

The Poetic Significance of The Poetic Painting of Attics in Rain and The Poetic Painting of Shabby Window Swaying in the Storm

《听雨楼图卷》、《破窗风雨卷》展示的是元末吴中文人的一场诗歌盛会。它们的形成是元末吴中文人雅集结社的变相延续,是继"玉山雅集"、"北郭诗社"后又一次大规模的文人题咏活动。但和前二者"同时同地"的方式相比,它又呈现出了新的特点——异时、异地、同题题咏,即"异地同调"。这种题咏方式的出现,既折射了时代变迁下吴中文人雅集方式的新变,也表征了吴中文人心态的新变,以及不同心态影响下文学思想的变迁,具有独特而丰富的诗学意义与审美内涵。

The Poetic Painting of Attics Storm are a poetic scene of graceful assembly in Rain and The Poetic Painting of Shabby Window Swaying in the on the late stage of Yuan Dynasty among the literatis in Wuzhong area. The forming of two pictures is the disguised and extending assembly among the literatis in Wuzhong area. They have some new characteristics that the literatis sing in variant places at different times. Meanwhile, they intone the same themes and similar chant. ＂The variant places and the same themes＂ symbolizes the new change in graceful assembly, and represents new change of mentality in new environment among the literatis in Wuzhong area, and indicates the literaturial theory of vicissitudes controlled by this new mentality of literatis, which has unique poetic significances.