摘要
鲁迅创作的《狂人日记》是中国现代文学上的一个神话,其所塑造的狂人并非是一个真实的人而是具有丰富内涵和多种指向的符号人。他是多种人、多种心理、多种文化、多种趋向的集合和代码。鲁迅通过狂人形象的塑造,融合了鲁迅对人生、文化和世界的多种理解。
The Diary of the Madman by Luxun is a myth in the modern literature. The image of the madman in the novel is not a real person but a symbol with rich connotations and variable references. Meanwhile he is also a combination and a code of different types of people, various psychologies, multiple cultures and several trends. Thus Luxin's multiple understandings to the life, the culture and the world was made through the image of the madman.
出处
《信阳师范学院学报(哲学社会科学版)》
2010年第1期126-130,共5页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词
鲁迅
狂人形象
复义性
Luxun
the image of the madman
multiple interpretations