摘要
黑格尔以"美是理念的感性显现"来界定艺术和艺术美,如果扬弃他的"理念"的客观唯心主义性质以其作为艺术用感性形式显现的生活现实和人的思想情感存在的虚体符号,便可见出艺术美的创造对于自然状态的超越,以及艺术创造对于艺术创作者的自我创造和对于现实观照的双重意义。
Hegel defined art and artistic beauty as ＂Beauty is the semblance of the Ideal＂ in sensuous form. If discarding the nature of the objective idealism of his Ideal, taking it as both the reality that art presents in the sensuous forms and the virtual symbols that human thoughts and feelings exist, we can see that artistic creation exceeds its natural state, and that artistic creation has the double significances towards the self-creation of the artists and the contemplation towards reality.
出处
《辽宁大学学报（哲学社会科学版）》
CSSCI
2010年第1期1-6,共6页
Journal of Liaoning University(Philosophy and Social Sciences Edition)
关键词
艺术美
自然美
理念
感性显现
超越性
自我创造
双重观照
artistic beauty
natural beauty
ideal
the semblance in sensuous form
exceed
self-creation
double contemplation
