摘要
通过综合考察国内学者对诺贝尔奖得主贝克特的研究，本文认为前后经历了三次浪潮，而对其小说的研究则主要遵循了四条路线，大致实现了四次转向：1、侧重后现代哲学观的文学思想研究；2、侧重荒诞派形式艺术论的形式研究；3、侧重后现代创作论的形式与内容关系研究；4、侧重后现代精神分析论的主题研究。大抵说来，国内对贝克特小说的研究呈现出路线分明、视角互补、体系基本完整的繁荣局面。
There have been three phases of Beckett studies in China exhibiting four major shifts in criticism of his novels. This paper tries to examine how Beckett and his novels have been read and single out the four principal approaches employed so far： （ 1 ） reading Beckett and his writing against postmodern philosophy; （2） investigating his writing skills in terms of the aesthetics of absurdity; （3） defining him as a postmodem artist; （4） employing psychoanalytic theories to analyze the themes in his novels.
出处
《当代外国文学》
CSSCI
北大核心
2010年第1期37-46,共10页
Contemporary Foreign Literature
基金
教育部一般课题“贝克特小说的后现代精神分析”(08JA752005)的阶段性成果
