浅谈陶瓷艺术中的残缺美

BEAUTY OF INCOMPLETENESS IN CERAMIC ART

人类文明发展的脚印,在现代又以新的理念和形式焕发出无限的生机和魅力,人们期待着在审美活动中获得更自由的情感表现和更丰富的情感激发,而残缺美的出现恰恰弥补了这一空白。所谓"残缺美",应该是本体的或内在的美,因其本身的美感力量特别强大,克服了局部的或外在的残缺,顽强地显出自身,以至陶瓷艺术是一门特殊的艺术,是泥与火的艺术。在漫长的历史长廊中记录着于局部的残缺之单纯的遗憾、不幸和丑陋,似乎也可以神奇地消于无形,成为整体美的一部分--至少没有成为损害整体美的不和谐因素。

Past human civilization reappears in modern times but with new ideas and forms. It glows with boundless vitality and charm. People look forward to aesthetic activities for more freedom of emotional expression and a richer emotional excitation, and the emergence of incompleteness fills up this gap. The so-called ＂incompleteness＂, on the body or in the inside has the beauty of its own, which overpowers some local or external defects and tenaciously shows itself. Ceramics is a unique art, an art of clay and fire. In the long gallery of the recorded history on ceramics, localized defects are the reminders of the regrettable and unfortunate. They are not ugly, not at all the factors of disharmony that will undermine the overall beauty, but, on the contrary, the indispensable parts of it.