相声艺术的群落认同及文化想象

Group Identification of the Art of Cross Talks and Cultural Imagination

传统相声艺术作为民间文化中笑的艺术,其快乐的本质是一种伦理幸福,也是中国传统文化对相声进行渗透、提升的结果。面对新生意识形态的文化认同构成解放后"舞台"新相声的基本艺术冲动,"家-国想象"是舞台时代相声艺术实现成功认同的核心机制。进入上世纪90年代,相声在"回归剧场"中开始重建多元认同。当前,电视情景喜剧不仅实现了相声在消费时代的"日常认同再生产",更重要的是为相声艺术的产业发展提供了驱动性的媒介经济新框架。

As a comic art in folk culture,the essence of traditional art of cross talks is a kind of ethical happiness.It resulted from traditional Chinese culture＇s penetration and promotion of cross talks.During the time when cultural identification as a new ideological form constituted essential art impetus for new cross talks on the stage,it is the key mechanism of ＂home-nation imagination＂ that the art of cross talks at the age of stage achieved its successful identification.In the 1990s,it began to reestablish multiple identification in the ＂regression theatre＂.Now TV sitcoms have not only realized the ＂reproduction of ordinary identification＂ at the age of consumption but more importantly,it has offered a new driving framework of media economy for the development of cross talks industry.