摘要
在小泉八云的一系列文学创作中,再话文学创作占有相当重要的位置。其美国时代的《飞花落叶集》,日本时代的杰作《骨董》和《怪谈》最具代表性。通过分析收录在《飞花落叶集》中的《泉之少女》和收录在《怪谈》中的《雪女》,便可以看到贯穿小泉八云一生的对"永远的女性"形象的追求和其再话文学的创作方法。
In Yakumo Koizumi's literary works ,the retell-works holds the quite important position. For example,"Stray Leaves from Strange Literature" in his American time,"Kotto" and "KWAIDAN" in his Japanese time and so on. Comparing the "The Fountain Maiden" and "Yuki--Onna" ,we can see "the eternal feminine" image in his works and his prodution method. In this article I will use the concept of "anima" of Carl Gustay Jung and contrast "The Moon's Blessings'of Baudelaire to analyse the "eternal feminine" image--the heavenly of female and her duals, the "nature" as female in Koizumi's works. Through his lecture in Tokyo Empire University we can see his understanding of the aesthetic sense of East and West.
出处
《东北师大学报(哲学社会科学版)》
CSSCI
北大核心
2010年第1期123-126,共4页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
关键词
《泉之少女》
《雪女》
永远的女性
美意识
波德莱尔
Yakumo Koizumi
The Fountain Maiden
Yuki-- Onna
eternal feminine
the aesthetic sense
Baudelaire