审美抵抗与审美修复——论南宁国际民歌艺术节的审美功能

Aesthetic Resistance and Aesthetic Restoration:On the Aesthetic Function of the Nanning International Folk Song Art Festival

南宁国际民歌艺术节是在现代工业文明与传统原生态文化相撞击下,融合了政治、经济、文化三种合力的产物。以壮族原始歌圩仪式所具有的审美功能为参照,从歌墟仪式由原始群体性记忆走向现代都市狂欢式仪式、由原始诗性意味的消解转向现代审美韵味的构建等方面比较分析壮族歌圩与南宁国际民歌艺术节的审美特征,可以挖掘出南宁国际民歌艺术节的审美抵抗、审美修复的美学功能。

Nanning International Folk Song Art Festival is the product of the encounter between modern industrial civilization and traditional original culture and the integration of political, economical and cultural forces. Taking the aesthetic function of the Zhuang ethnic group＇s primitive folk song fair ceremony as reference, this article discusses the changes from primitive group memory to metropolitan carnival-style ceremony, from the dissolution of primitive poetic implication to the construction of modern aesthetic charm, showing that the aesthetic function of Nanning International Folk Song Art Festival can be detected through a comparative analysis of its aesthetic features and those of the Zhuang＇s folk song fair.