中国古代话剧小品的演出模式

Pieces of Ancient Chinese Drama Performance Model

中国古代大多由优伶演出的优谏戏、滑稽戏、参军戏、戏弄戏乃至傀儡戏、宋杂剧、金院本等,主要是一些具有喜剧幽默感的话剧小品,它们多用文言对话和适当动作为表现方式,以玩笑、嘲弄、取闹来达到讽刺警戒之目的。这些话剧小品从内容到形式都过于简单,与真正意义上的话剧还是有一定距离的,即便其中有一些话剧因素,也只能说具备了话剧的雏形,而不宜以话剧视之。中国古代话剧小品的演出在本事、演员敷演故事、剧场、演出技巧或表现手法、最终以"笑"或"惊"结尾等方面形成了一定的套路模式,这种演出模式在某种程度上制约了古代话剧小品向大型现代话剧的转型。

China＇s Ancient mostly excellent performances by the Youling admonish opera, comic opera, to join the army drama, teasing and even a puppet theater play, Song dramas, Golden homes in this and so are those with a comic sense of humor, drama sketches, they are multi-purpose classical dialogue and appropriate action for the expression, to jokes, ridicule, irony alert farce to achieve the purpose of these drama sketches from the content and form are too simple and true sense of the drama is still a certain distance, even if some of them drama of factors, only can be said to have had the embryonic form of drama, but is not advisable to subject the drama. Pieces of ancient Chinese drama performed at the skill, actor Fu Yan stories, theater, performance skills or performance practices, the end to ＂smile＂ or ＂shock＂ at the end of such routines has formed a certain pattern, this performance model to some extent constrained Pieces of ancient drama to the large-scale transformation of modern drama.