摘要
本文旨在将传统中国科技图像融入到中国绘画史中进行讨论,通过一系列的科技图像证明传统中国科技图像才是16-18世纪科技图像的主流,而不是西化的科技图像。因为传统价值观深植于绝大多数社会精英心中,他们最初的反应就是要补充和加强中国固有的科学,而不是放弃中国固有的科学,他们坚持祖先的世界观。
This thesis aims to put the traditional image about science and technology in China into the Chinese painting history for discussion,and through enumerating a series of such images to prove that the traditional image about science and technology in China was the mainstream in the field from 16th to 18th century in the world,but not the result of westernization.The reason is that the traditional values rooted deep in the heart of most social elites,and their first reaction was to complete and strengthen the orginial Chinese science,but not give it up,and they insisted their ancestor's world view.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2010年第1期52-60,共9页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
科技图像
西化
传统
中国绘画
image about science and technology,westernize,tradition,Chinese painting