论20世纪50年代中国版画艺术新格局及其形成原因

On the New Situation of Chinese Printmaking Art in 1950s and the Reasons for Its Forming

新中国成立之前,由于良好的社会政治环境,中苏之间文化艺术的友好往来密切,以及毛泽东文艺思想的进一步影响,中国现代版画呈现出新面貌、新气象。从宣扬抗日救亡,贬斥社会黑暗,转而歌颂新中国的社会主义建设伟大成就。其艺术审美主调由悲愤激昂转向愉悦欢快;艺术语言也由黑白转向套色。其题材、形式和风格方面均逐渐呈现出抒情化的新特征。本文探讨20世纪50年代的版画发展历程,旨在昭揭当时版画艺术和文艺思潮的历史形态。

At the beginning of the new China,with good social and political environment,there was a close relationship between Chinese and Russian culture and art,and with the further effect of Mao Zedong's literature thoughts,there was a new appearance and air in the modern printmaking in China.Its main subjects changed from propagating national salvation conflict against Japan and denouncing social darkness to singing for the great achievements of the socialist construction in the new China,so its main art and aesthetic melody changed from heating sadness and anger to lightness and happiness;the artistic language changed from black and white to colours;the subject,form and style showed the new characteristics of lyricism.Through discussing the developing process of printmaking in the 1950s,this thesis wants to uncover the historical formation of the printmaking art and literature thought.