摘要
自然美学的兴起,对以艺术作为主体的传统美学提出了全新的挑战。作为审美对象的自然,突出的是自然作为在先的被给予性。自然美对艺术美的突破在于,消除艺术美中主体性的膨胀,回复人与世界原初的肉身交融。自然美对美学的深层启示在于:美是对在先的被给予性的感性确认。
The arising of natural aesthetics has posed a new challenge to traditional aesthetics,which always puts a large attention to art. The nature, as a object of appreciation, is emphisizing the pre-posing of nature. The breakthroufh made by nature to art is the eliminition of the subjiective expanding of human in art, so we can home to the origional unity. To aesthetics, the deep meaning of beauty in nature is the proposition that beauty is the tangible accertain of the pre-posing.
出处
《北京教育学院学报》
2009年第5期27-31,共5页
Journal of Beijing Institute of Education
关键词
自然美
自然
艺术美
在先的被给予性
beauty in nature
nature
beauty in art
the pre-posing