摘要
司马迁在战争视野中的死亡叙事是丰富多彩的,它们表现了战争人物面对死亡的众生相。司马迁通过写战争人物的死亡临界而使生命定格,战争人物最后的"亮相"变为永恒的雕塑屹立于民族的集体记忆之中。战争人物临死前的自我表白,包含着丰厚的历史信息和巨大的情感容量。司马迁写的只是瞬间的言行,却以广阔的历史为背景。《史记》死亡叙事中蕴含着司马迁对历史和人性深刻的体悟与感慨。
Sima Qian's death narrative in the war vision was richly colorful, which displayed different performances of the war characters facing with death. Sima Qian wrote the point of death to make lives stereotypes, the war final images became the eternal sculptures to stand erectly in the nation's collective memory. The war figures'self-expressions at the point of death contained rich historical information and immense emotional capacity, although the words and deeds written by Sima Qian was instantaneous, they actually took the broad history as the background. The death narrative in Historical Records contained Sima Qian's profound understanding and huge emotion to the history and human natures.
出处
《北京教育学院学报》
2009年第5期32-36,77,共6页
Journal of Beijing Institute of Education
关键词
司马迁
史记
战争
死亡叙事
Sima Qian
Historical Records
war
death narrative