西方实体主义哲学与中国书法美学意象研究

Study of Western Substantialism and Aesthetic Imagery of Calligraphy

西方实体主义哲学以"是什么"作为实体思维的核心,并把一切存在都设定为实体来研究,以探讨其本质。这一思维方式构成了书法实体美学意象之"力"意象的哲学基础,并影响到整个书法形式美学意象的研究,使"书法的美学内容或美学意蕴就是书法的形式构成本身"这一命题得以可能。

The western substantialism takes ＂what is it＂ as the core of object thinking and assumes all the existences as object to discuss the nature behind. This way of thinking is the philosophical foundation of the ＂force＂ imagery of the aesthetic imagery of calligraphy, which affects the study of the entire aesthetic imagery of calligraphy and makes possible the ＇proposition that ＂the aesthetic content or aesthetic implication is the formal composition of calligraphy itself＂.