摘要
《嘉莉妹妹》是美国现代文学史上最有历史意义的著作之一。通过去势模拟的书写,德莱塞把"他者"加诸于男主人公,对其父权制下的男性形象进行了成功的消解、无情的贬抑和彻底的颠覆。去势之下的赫斯特伍德倍感焦虑和沮丧,从芝加哥的酒吧经理沦落为纽约百老汇大街上的乞丐,最后绝望地自杀。
Sister Carrie is one of the most historic works in modern American literature. Through castrated simulation description, Dreiser imposes the other on the male protagonist, and does successful dissolution, relentless disparagement and thorough subversion to the male image under patriarchy. Much more anxious and depressed at the castration, Hurstwood falls low from a bar manager in Chicago to a beggar on Broad- way in New York and finally committed suicide in despair.
出处
《天津外国语学院学报》
2010年第1期61-67,共7页
Journal Of Tianjin Foreign Studies University
基金
山东工商学院校级科研基金项目"德莱塞与美国文化研究"
关键词
赫斯特伍德
悲剧
去势模拟
Hurstwood
tragedy
castrated simulation
