摘要
汉代画像是埋入地下的一种特殊的画作,是两汉时期厚葬之风的产物。这种性质决定了它的特殊性,从图像内容到表现形式都服务于墓主人,与丧葬礼俗有着密切的关系。对幽冥世界的关怀与想象,始终是汉代画像着意表现的一个非常重要的主题。这个主题有着丰富多彩的内容,譬如由体现孝道思想而产生的"事死如事生"观念,在汉代画像里便有生动而深刻的反映。
Portraits of Han dynasty, unique paintings buried in the tomb, are the production of an elaborate funeral in eastern and western Han dynasties. The portrait content and forms meet the needs of the dead and related closely to funeral etiquettes and customs. The care and imagination of the underworld is the invariably important theme in portraits of Han dynasty, with colorful content. The concept of "the underworld living is the same as the earthy" is vividly and profoundly embodied in the portraits.
出处
《西华大学学报(哲学社会科学版)》
2010年第1期46-49,共4页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
汉代画像
厚葬之风
孝道思想
事死如事生
墓祭
portraits of Han dynasty
elaborate funeral
filial piety
"the underworld living is the same as the earthly"
memorial ceremony