摘要
在戏曲表演中,运用什么样的形体动作进行表演,是戏曲在美学上对塑造人物形象上的要求。不同样式的形体动作,有不同的动作法则,它是戏曲表演程式化的外在表现,这种程式化是生活动作的舞蹈化。在改革和发展的进程中,越剧既善于学习其他剧种已有的程式化规范,又根据本剧种在艺术表现上的需要不断取舍,创新发展了符合本剧种特点的表演手段,在形体表演风格上不断进行探索。
Abstract: In opera performances, the physical movement in performance is aesthetic requirements on the eharaeterization of the role. Different styles of physical movement are based on different rules, and the performance of traditional Chinese opera is stylized. In the process of reform and development, Shaoxing opera learns from stylized performance of other genres of opera in accordance with the artistic need, innovatively develops performing ways in line with its characteristics, and continually probes into the physical performance style.
出处
《浙江艺术职业学院学报》
CSSCI
2009年第4期20-26,共7页
Journal of Zhejiang Vocational Academy of Art
基金
浙江艺术职业学院2008年度科研项目"越剧形体表演风格特征之探索"结题论文(项目编号:20080209)
关键词
越剧
形体
表演风格
传承
自我完善
Shaoxing opera
figure
performance style
inheritance
self-improvement