摘要
本文把作为美学理想、哲学范畴、道德目标的"中和之美"与民族器乐联系起来加以理解,以民族乐器"器之和"、"乐之和"、"奏之和"为载体,对中国古代哲人早已提出的中庸之道、中和之美要义在民族器乐中的渗透作了分析,论证了中和之美作为人类文明化的目标,被广泛地运用于自然界、社会和人生的各个方面,其生命力在于不断地追求新的平衡。
The paper links "the beauty of harmony" as an aesthetic idea, philosophic concept and moral goal to national instruments. Based on the "harmony of instruments", "harmony of music" and "harmony of performance" of national instruments, the paper analyzes the influence of the essence of golden meari and harmony proposed by ancient Chinese philosophers on the national instruments. As the goal of human civilization, the beauty of harmony has been widely used in all aspects of nature, society and life, and its vitality lies on the continuous pursuit of new equilibrium.
出处
《浙江艺术职业学院学报》
CSSCI
2009年第4期47-51,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
民族器乐
传统文化
和
中和之美
中国音乐美学
national instruments
traditional culture
harmony
beauty of harmony
Chinese music aesthetics