摘要
女中音声部自19世纪正式登上历史舞台至今早已逾越百年,却在中国的舞台上鲜有能够占有一席之地的女中音歌手。其中原因既有中国审美习惯的影响,也有当下社会环境对其的忽视,更有声部认定、训练方法中的问题。梳理其中种种,便于今后更为全面地发展声乐教育事业。
Since it first appeared on the stage in the 19th century, mezzo-soprano has a history of more than a hundred years. However, there is hardly an outstanding mezzo-soprano singer in China due to Chinese aesthetic habits, social neglect and problems in part division and training methods. The paper sorts out the problems so as to comprehensively develop music education.
出处
《浙江艺术职业学院学报》
CSSCI
2009年第4期52-56,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
女中音
次女高音
发展受阻
mezzo-soprano
alto
hindered development