摘要
通过解读卒姆托在瑞士瓦尔斯浴场中片麻岩的用法,回溯了"物质"在建筑学中逐渐降到次要地位的历史过程。通过将建筑材料的物质性理解为一种具体地方的人与自然的共同作用,试图在卒姆托的建筑身上,探究建筑覆层避免异化成为无关痛痒的表皮的可能性。
Through aclose reading of Peter Zumthor's tactics in designing the gneiss stone wall of the Thermal Bath at Vals,this paper traces back the critical steps where matter has lost its charm in both metaphysics and architecture.By emphasizing the intertwining efforts of craftsmanship and nature in the materiality of building,this paper learms from Zumthor's project,treating building materials and cladding not as senseless signs but as sensible dialogues between culture and nature.
出处
《新建筑》
2010年第1期11-18,共8页
New Architecture