期刊文献+

从书写线条到文人画的写意——关于高卉民写意技巧的思考

Freehand Brushwork in Traditional Chinese Painting from Lines Drawing to Literati Painting
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摘要 中国绘画从线条走向写意,不仅反映了绘画发展的必然性,也反映了社会思潮与人文心态,同时,也与中国特殊的书写与绘画工具的特殊效果分不开;写意画正是这种心理的最好表达,或者说,这种心理不仅使写意画应运而生,而且大行其道,发扬光大。 Developed from lines painting of painting development but the social relates to special Chinese painting and nese painting is the best expression of trend of literati painting, Chinese painting reflects not only the necessity thought and the humane inner state. Meanwhile, it also closely special effects of painting tools. Freehand brushwork in traditional Chithis inner state and vice versa.
作者 高明宇
机构地区 东北农业大学
出处 《东北农业大学学报(社会科学版)》 2010年第1期105-107,共3页 Journal of Northeast Agricultural University:Social Science Edition
关键词 书写线条 文人画 写意 lines drawing,literati painting,freehand brushwork in traditional Chinese painting
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参考文献2

  • 1林本.笔墨论[M].上海:上海画报出版社,2002.
  • 2陈传席.中国绘画史[M].北京:人民美术出版社,2002.

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