摘要
在新中国影视发展历史中,内蒙古影视创作一直以其独特的影像表达占据着重要的位置,一些精品佳作不仅成为中国影视史上的艳丽奇葩,而且在世界影视创作领域中也享有一定的盛誉。尤其是进入新时期以来,内蒙古的影视创作更是取得了令世人瞩目的成就,形成了浓郁的民族特色、民族风格。然而,在全球化浪潮特别是商品化大潮的席卷之下,我区的民族影视创作与发展也面临着诸多难题甚至困境。本文主旨在于回顾历史、总结经验、以期为内蒙古影视艺术创作的发展做出一定的理论思考,即:立足本土资源以小搏大;大力发展我区的影视文化产业;进一步丰富拓展我区影视文化的现代内涵。
In the history of Chinese film and TV, Inner Mongolian occupies an important position with its unique style. Some master works are not only great achievements in Chinese film and TV history, but also enjoy great fame in the world. Especially in the new era, it has formed rich national characteristics and styles. However, under the influence of globalization and commercialization, it encounters many difficulties and dilemmas. The purpose of this paper is to look back on the history and summarize the experiences so as to provide some suggestions for the development of film and TV artistic creation in Inner Mongolia, that is, to develop the film industry by drawing on native resources and to enrich and broaden the modern connotation of film and TV culture in Inner Mongolia.
出处
《内蒙古师范大学学报(哲学社会科学版)》
2009年第5期5-9,共5页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
关键词
内蒙古
影视艺术创作
回顾
展望
Inner Mongolia
film and TV artistic creation
retrospect
prospect