从《古文辞类纂》到《骈体文钞》

From The Classified Anthology of Classical Prose To The Selections of Parallel Prose

清代骈文的中兴,既表现于骈文名家辈出,也表现于骈文理论的极盛。从骈文创作需要出发,骈文理论在清中叶及后期涌现出诸多为骈文正名、与古文对垒的选本与理论。姚鼐的《古文辞类纂》奠定了古文"正统"的地位,李兆洛的《骈体文钞》则赶在《古文辞类纂》刊刻的第二年亦匆匆问世,其对垒之意颇具意味,而校刻《古文辞类纂》的正是李兆洛本人。探究从《古文辞类纂》到《骈体文钞》的撰写与刊刻过程,能理清清代骈散之争的脉络和头绪。

The parallel prose＇s resurgence in Qing dynasty, exhibiting not only by the host of famous author, but also exhibiting by the heyday of parallel prose theory. For the need of creation, lots of theory of competing for status for parallel prose had emerge in large numbers. Yao Nai＇s The Classified Anthology of Classical Prose laided the orthodox foundation of classical prose, Li Zhaoluo＇s The Selections of Parallel Prose published hastily after the year of The Classified Anthology of Classical Prose＇s publishing, and this work was proofreaded by Li Zhaoluo. Research the process of writing and publishing from The Classified Anthology of Classical Prose and The Selections of Parallel Prose could card the skeleton of the contrasting by Classical Prose and Parallel Prose in Qing dynasty.