摘要
"文艺美学"作为一门具有原创性的新兴学科出现于20世纪80年代的中国大陆。经过近30年的发展,如今文艺美学学科已呈现出几种具有代表性的学科理论范式,而其中大多数都是文艺美学现代性转换的产物。随着后现代语境的来临,曾繁仁先生主编的《文艺美学教程》体现出一种全新的学科探索。以《文艺美学教程》一书为依据,兼及编者的其他论著,从逻辑起点、理论体系、学术特色等方面阐述本教材所体现的文艺美学思想,并凸显其理论谱系和理论贡献。
As a newly emerging and original discipline, "literary aesthetics" appeared in the 1980s in China's Mainland. After nearly three decades of development, literary aesthetics has shown several typical theoretical paradigms, most of which are products of modernity conversion. With the advent of post - modern age, The Tutorial of Literary Aesthetics by ZENG Fan - ten reflects an entirely new exploration in this area. On the basis of The Tutorial of Literary Aesthetics and with assistance of other works three aspects are discussed: logical starting point, theoretical system, academic characteristics to highlight the concept of literary aesthetics its theoretical pedigree and theoretical contributions.
出处
《重庆交通大学学报(社会科学版)》
2010年第1期73-76,共4页
Journal of Chongqing Jiaotong University:Social Sciences Edition
基金
2009年江西师范大学研究生创新基金项目成果
关键词
后现代语境
文艺美学
曾繁仁
审美经验
postmodern age
literary aesthetics
ZENG Fan - ren
aesthetic experience