摘要
明代散曲家梁辰鱼创作了著名的传奇《浣纱记》。在结构上,它以吴越历史兴亡为主线,以范施爱情为支线;在人物塑造上,它以塑造历史群象为目的,几位主要人物的用力较为平均;在语言风格上,它兼有多种风格特征,决不仅仅是"雪艳词"。探讨以上问题,可以进一步发掘《浣纱记》的艺术内涵,纠正前人对该剧的一些误读,也可藉此对该剧在文学史、戏剧史上的地位作出新评价。
The famous biography is composed by Liang Chen-yu, a non-dramatic song writer in Ming Dynasty. The writer takes the prosperity and decline of the countries of Wu and Yue as the theme in structure, accompanied by the description of the love of Fan Shi. As for character depicting, he puts in equal efforts in depicting the main characters for the sake of writing the history for the masses. The book embodies various styles in terms of diction, besides ' yue yan ci'. The exploration of these points helps to display the art value of Huan Sha Ji, clear up some misunderstanding and give this drama a new status in the history of literature and the history of drama.
出处
《广东教育学院学报》
2010年第1期54-59,共6页
Journal of Guangdong Education Institute
基金
国家社科基金重点项目"观念
视野
方法与中国戏剧史研究"(08AZW002)