男权规范与女性主义纠结下的双重文化镜像——论第三代女性诗歌的文化悖论

Double cultural mirror under tangle between male chauvinism and feminism——on cultural paradox of third-generation women's poetry

以翟永明、唐亚平、伊蕾等诗人的诗歌为代表的"第三代女性诗歌",一方面以清醒的女性意识揭露了男性中心社会和男性话语霸权对女性在肉体与精神上的双重"施虐",以对女性自身生命原真状态的揭示建构起妇女解放的新话语,另一方面又以对传统女性精神的返顾与留恋,显示着甘愿回到"传统女性"的倾向。她们的诗歌以对男性显性层面的反抗与隐性层面的依恋表现出鲜明的文化悖反意蕴。

The poetries created by Zhai Yongming, Tang Yaping, Yi Lei, etc. are regarded as the representation of ＂thirdgeneration women＇s poetry＂. On the one hand, their poetries exposed the double maltreat both in body and in spirit in the male-centered society and the word-hegemony of men to women with a clear sense of women, and constructed a new discourse of women＇s liberation with an exhibition of the true state of women＇s own original lives; on the other hand, their poetries showed a tendency to return to the ＂traditional female＂ with the nostalgia of the spirit of the traditional female. Their poetries showed a distinct connotation of cultural contrary with the resistance at the male dominant level and the attachment at the recessive level.