摘要
写于1946年的《青色魇》,讲述了佛经典籍《法苑珠林》中驹那罗王子的故事。同《七色魇》其他文章一样,《青色魇》也呈现出晦涩难解的文本状态,评论多将之称为"抽象的抒情"。从佛经故事重说的角度将之与上世纪30年代的《月下小景》进行比较,不难剖析这种"抽象抒情"文风形成的深层原因。
＂Qing Se Yan＂ was written in 1946. It described Prince Junaluo＇s story in the Buddhist books ＂Fa Yuan Zhu Lin＂. As Other essays in the ＂Qi Se Yan＇,＂Qing Se Yah＂ also appears obscure and hard to understand, The style is called ＂abstract lyric＂. The purpose of this paper is to compare the essay with the collected Works《Yue Xia Xiao Jing}in the rewriting of Buddhist stories and analyze the causes of the special style ＂abstract lyric＂ in the 1940s.
出处
《吉首大学学报（社会科学版）》
北大核心
2010年第1期44-49,共6页
Journal of Jishou University(Social Sciences)
关键词
青色魇
佛经故事
重说
变形
抽象抒情
Qing Se Yan
Buddhist stories rewriting
transformation
abstract lyric
