摘要
蒋孔阳力图消解、突破西方形而上学主客二分思维方式,以全球化的视野研究马克思主义哲学和美学、中国传统美学、西方美学,创造性地提出了"美在创造中"、"人是世界的美"、"美是人的本质力量的对象化"和"美是自由的形象"等命题,对美的本质以及美的规律、美感、审美范畴等美学基本问题作出了系统的阐释,有力地推动了美学学科基础研究的现代进程,为新实践美学的发展指明了方向,并奠定了坚实的基础。
Jiang Kongyang tries to clear up and make a breakthrough on the dual thinking pattern of western metaphysics. Studying Marxist philosophy and aesthetics, traditional Chinese aesthetic and western aesthetics from a global view,Jiang creatively puts forward that ＂beauty exists in creation＂ , ＂human beings are the beauty of the world＂ , ＂beauty is the object of human being＇s intrinsic strength＂, and ＂beauty is the free image＂, and so on. Jiang has systematically illustrated such basic issues as the nature of beauty, the law of beauty, aesthetic feeling, and the category of aesthetics, and has greatly enhanced the modern process of aesthetics, pointing out the direction for new practice aesthetics and laying a solid foundation for its development.
出处
《吉首大学学报（社会科学版）》
北大核心
2010年第1期100-103,共4页
Journal of Jishou University(Social Sciences)
基金
教育部2008年度人文社科青年项目(08JC751016)
上海市教委2008年社科创新项目(09YS333)
关键词
蒋孔阳
新实践美学
Jiang Kongyang
new practice aesthetics
