“美是生活”与周扬的文艺真实观

"Beauty Is Life" and Zhou Yang’s Real Literature View

车尔尼雪夫斯基关于"美是生活"、艺术应再现现实的美学思想是周扬文艺真实观的理论基础之一。1930年代,周扬强调只有树立无产阶级的立场和世界观,才是达到文学真实性的正确之路。40年代,周扬自觉接受《讲话》精神影响,强调只有深入工农兵的生活和斗争,在政策思想指导下,写新人物,新世界,才会有更高的文学真实性。新时期,周扬辩证地阐述了文艺真实性、人民生活与政治三者的关系,将真善美三者紧密结合,形成了超越车氏的更为完善的文艺真实观。

Chemychevsky＇s views, like beauty if life and aesthetics thoughts of literature should redivivus realism are the base of Zhou Yang＇ s literature real view. In 1930s, Zhou Yang emphasized only set proletariat＇ s position and world view, can we find the right route to reach literature~ facticity. In 1940s, Zhou Yang accepted spirit of The Talking, insisted only go deep into life and battle of workers, peasants and soldiers, has literature more high realism. In the new time, Zhou Yang explained the relationship between literature＇s realism logical, people＇ s life and politics. He also combined realism, kind and beauty together closely, shaped real literature views which are more perfect than Chemychevsky＇ s views.