摘要
西方现代绘画在其发展阶段的主要诉求,是剔除绘画中的文学及观念成分,追求一种纯而又纯的视觉表达。从印象派到塞尚,从马蒂斯到康定斯基,无论倾向于写实还是倾向于抽象表现,其探索的对象归根结底是人的视觉以及通过绘画的方式来表现这种视觉的可能性。
In the evolution of the modem western art painting, the paintings are intended to appeal to the public for a pure visual expression by removing the concept of literary composition. From Impressionism to Cezanne, from Matisse to Kandinsky, whether the painters tend towards abstract expressionism or towards realism, what they explore, in the final analysis, is a vision and possibilities of ways to express it by painting.
出处
《绵阳师范学院学报》
2010年第1期103-106,共4页
Journal of Mianyang Teachers' College
关键词
现代
后现代
杜尚
达利
modem
post - modem
Duchamp
Dali