摘要
与西方传统"唯识主义"的"意识美学"不同,中国古代美学是一种"唯身主义"的"身体美学"。这一身体美学意蕴既体现在中国古代的文学艺术是一种以身为喻的生命象征活动,又体现在男女两性的原发生命对话机制之中。而这一对话机制不仅反映在对虚实相间、动静相生等艺术形式美的追求,而且体现在对"中和之美"和"因感生情"艺术主题的反映,同时还体现在以身体的族类化而在文学艺术中以有限体现无限、以特殊反映一般从而达到对生命不朽的形上慰藉。从身体角度还原中国古典美学,可以发现其殊异于西方传统美学的另一番气象。
Different from the west ancient spirit aesthetics, chinese ancient aesthetics is the somaethetics. which reflects on the three aspects ： firstly, chinese ancient somaesthetics embodies in the works of chinese literature and art through body symobal;secondly, it reflects on the form and theme of works of chinese ancient literature and art throurgh the dialogue of male and female;threely, it also reflects on the solicitude of meta - physics through the special expresses general in the works of literature and art by the clanning. In a word,it restores the original spirits from the somaethetics.
出处
《河北学刊》
CSSCI
北大核心
2010年第2期33-38,共6页
Hebei Academic Journal
关键词
身体美学
意识美学
生命象征
两性对话
形上慰藉
somaesthetics
spirital aesthetics
body symbol
the dialogue of male and female
solicitude of meta - physics
