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苏童叶兆言小说中女性形象比较 被引量:1

Comparison of Female Images in SU Tong and YE Zhao-yan's Novels
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摘要 江南温润多情的地理文化氛围造就了江南的青年才子们梦幻感伤的叙事风格。那种伤感、怀旧、精雅、女性化的方式使得他们几乎都成为描写女性的高手,女性在他们的笔下各自显现出富有魅力和意味的侧面。作为江苏作家领军人物的苏童和叶兆言更是以他们对女性形象的刻画而驰誉文坛。但目前学界对二人的创作风格存在简单归类的问题。本文试从具体文本出发分析两位作家塑造的女性形象,比较二者创作的异同,通过对同一主题体现出的两种迥异的想象图式,展示江苏作家的文化归趋和多元风貌。 Jiangnan moist sentimental geo-cultural atmosphere created young gifted a fantasy of sentimental narrative style.The sad, nostalgic, fine elegant, feminine way made almost all of them become master of its portrayal of women,and women in their novels demonstrating full of charm and each mean side. As a leading figure in Jiangsu writers ,SU Tong and YE Zhao-yan are more prominent. However, the academic world classified their creative simply. This paper is trying to analyze female charactes from the specific text of them, comparing the similarities and differences between the two writers, and showing the trends in Jiangsu writers and muhi-cuhural outlook through the same theme reflecting two very different imagination pattern.
作者 李瑞华
出处 《商丘职业技术学院学报》 2010年第1期66-67,共2页 JOURNAL OF SHANGQIU POLYTECHNIC
关键词 苏童 叶兆言 女性形象 人性 文化 SU Tong YE Zhao-yan female characters humanity culture
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  • 1[瑞士]荣格(Jung,C·G) 著,冯川,苏克.心理学与文学[M]三联书店,1987.

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