也谈音乐作品的本体问题——《音乐作品存在方式之我见》读后

Also Speaking About the Ontology of Musical Composition——Thoughts on Mr.Wang Ningyi's "On the Way of Being of Musical Composition"

《音乐作品存在方式之我见》是王宁一先生用传统实在论的观点去讨论音乐作品的本体问题的。传统实在论认为所有的客观实在的事物都不依存于人的意识而独立存在。茵伽尔顿在《音乐作品及其本体问题》一文中采用的是现象学的分析方法,试图从音乐作品存在的诸多现象中剥离其非本质属性,找到其本质属性。王宁一先生对茵伽尔顿的批评集中在音乐作品的存在与非存在、同一与不同一、实在性与意向性以及论述中的逻辑与语义等方面。本文指出,他们所讨论的音乐作品不在同一语境下,所讨论的问题也不在同一层面,因而产生分歧。

In his 'On the Way of Being of Musical Composition' Mr.Wang Ningyi discusses the ontology of musical composition by using the tradition-realism theory which considers all objectively existing things are independent from human's consciousness.Roman Ingarden,in his 'The Ontology of Musical Composition',uses phenomenology attempting to find the essential property of musical composition by stripping away its non-essential property.Wang's criticism to Ingarden concentrates on musical composition's existence and non-existence,identity and non-identity,reality and intentionality and his logic and semantic nature.The article points out that the two authors arrive at different conclusions because their discussions are in different context and on different level.